LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACIÓN E IDENTIFICACIÓN SOBRE LA BASE DE UN ESTUDIO COMPARADO

Jimena Peñaherrera Wilches; Jimena Peñaherrera Wilches; Arleti María Molerio Rosa

LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACIÓN E IDENTIFICACIÓN SOBRE LA BASE DE UN ESTUDIO COMPARADO

Jimena Peñaherrera Wilches, Jimena Peñaherrera Wilches, Arleti María Molerio Rosa

UCuenca

Producción científica: Contribución a una revista › Artículo › revisión exhaustiva

Resumen

This article presents a study on the identification and individualization of the copyists who work in the Musical Archive of the Main Cathedral of Cuenca, in the 19th century. The analysis is based on the manuscripts recovered and cataloged in 2016 and 2018 as part of a research project that addressed the topic of reconstructing the corresponding archives. The work starts with a brief historical contextualization, evidencing the organization of diverse documents of the Archdioceses of Cuenca, specifically the music catalog. The hypotheses raised have led to an individualization of the manuscripts through a comparison among them. Thus, it is possible to obtain different viewpoints of the object of study.

Idioma original	Español
Publicación	Revista del Instituto de Investigaciones Musicológicas "Carlos Vega"
Estado	Publicada - 1 ene. 2019

Palabras clave

Archivo; Catedral; Copistas; Manuscrito; Identificación; Música; Cantón Cuenca

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title = "LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACI{\'O}N E IDENTIFICACI{\'O}N SOBRE LA BASE DE UN ESTUDIO COMPARADO",

abstract = "This article presents a study on the identification and individualization of the copyists who work in the Musical Archive of the Main Cathedral of Cuenca, in the 19th century. The analysis is based on the manuscripts recovered and cataloged in 2016 and 2018 as part of a research project that addressed the topic of reconstructing the corresponding archives. The work starts with a brief historical contextualization, evidencing the organization of diverse documents of the Archdioceses of Cuenca, specifically the music catalog. The hypotheses raised have led to an individualization of the manuscripts through a comparison among them. Thus, it is possible to obtain different viewpoints of the object of study.",

keywords = "Archivo; Catedral; Copistas; Manuscrito; Identificaci{\'o}n; M{\'u}sica; Cant{\'o}n Cuenca, Archivo; Catedral; Copistas; Manuscrito; Identificaci{\'o}n; M{\'u}sica; Cant{\'o}n Cuenca",

author = "\{Pe{\~n}aherrera Wilches\}, Jimena and \{Pe{\~n}aherrera Wilches\}, Jimena and \{Molerio Rosa\}, \{Arleti Mar{\'i}a\}",

year = "2019",

month = jan,

day = "1",

language = "Espa{\~n}ol",

journal = "Revista del Instituto de Investigaciones Musicol{\'o}gicas {"}Carlos Vega{"}",

issn = "2683-7145",

}

LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACIÓN E IDENTIFICACIÓN SOBRE LA BASE DE UN ESTUDIO COMPARADO. / Peñaherrera Wilches, Jimena; Peñaherrera Wilches, Jimena; Molerio Rosa, Arleti María.
En: Revista del Instituto de Investigaciones Musicológicas "Carlos Vega", 01.01.2019.

Producción científica: Contribución a una revista › Artículo › revisión exhaustiva

TY - JOUR

T1 - LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACIÓN E IDENTIFICACIÓN SOBRE LA BASE DE UN ESTUDIO COMPARADO

AU - Peñaherrera Wilches, Jimena

AU - Molerio Rosa, Arleti María

PY - 2019/1/1

Y1 - 2019/1/1

N2 - This article presents a study on the identification and individualization of the copyists who work in the Musical Archive of the Main Cathedral of Cuenca, in the 19th century. The analysis is based on the manuscripts recovered and cataloged in 2016 and 2018 as part of a research project that addressed the topic of reconstructing the corresponding archives. The work starts with a brief historical contextualization, evidencing the organization of diverse documents of the Archdioceses of Cuenca, specifically the music catalog. The hypotheses raised have led to an individualization of the manuscripts through a comparison among them. Thus, it is possible to obtain different viewpoints of the object of study.

AB - This article presents a study on the identification and individualization of the copyists who work in the Musical Archive of the Main Cathedral of Cuenca, in the 19th century. The analysis is based on the manuscripts recovered and cataloged in 2016 and 2018 as part of a research project that addressed the topic of reconstructing the corresponding archives. The work starts with a brief historical contextualization, evidencing the organization of diverse documents of the Archdioceses of Cuenca, specifically the music catalog. The hypotheses raised have led to an individualization of the manuscripts through a comparison among them. Thus, it is possible to obtain different viewpoints of the object of study.

KW - Archivo; Catedral; Copistas; Manuscrito; Identificación; Música; Cantón Cuenca

UR - http://www.julkari.fi/handle/10024/136703

M3 - Artículo

SN - 2683-7145

JO - Revista del Instituto de Investigaciones Musicológicas "Carlos Vega"

JF - Revista del Instituto de Investigaciones Musicológicas "Carlos Vega"

ER -