Resumen
Close to celebrating a hundred years of César Dávila Andrade’s birth, it is necessary to think
again and reread his writing, given the importance that he had and has in Ecuadorian writing.
Consequently, a thoughtful tribute concerning his lyrical poetry is needed due to his legacy.
The study corpus comprises “La casa abandonada”, “Canción de nostalgia” and “Carta de
la ternura distante”, which show the desire to return to a time and space transformed. This article
is based on the analysis of the content, semantic and symbolic construction, to show what
strategies are used by the lyrical “I” in said return, since it self-exiles and exiles, constantly
seeking to fit into the world that surrounds it. However, at the end, it reaffirms that it does not
belong, it doesn’t recognize itself; ultimately, a nostalgia and frustration of that which was and
cannot be again.
| Idioma original | Español |
|---|---|
| Publicación | Chakiñan: Revista de Ciencias Sociales y Humanidades |
| Estado | Publicada - 1 ene. 2018 |
Palabras clave
- César Dávila Andrade; Insilio; Regreso; Memoria
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