LA EVOLUCIÓN DEL ORGÁNICO INSTRUMENTAL CONSTITUTIVO DE LA CAPILLA CATEDRALICIA MATRIZ DE CUENCA EN EL SIGLO XIX

Arleti María Molerio Rosa

LA EVOLUCIÓN DEL ORGÁNICO INSTRUMENTAL CONSTITUTIVO DE LA CAPILLA CATEDRALICIA MATRIZ DE CUENCA EN EL SIGLO XIX

Arleti María Molerio Rosa

Universidad de Cuenca

UCuenca

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Resumen

The article makes an approximation to the instrumental organic constitutive of the cathedral chapel of Cuenca, Ecuador in the 19th century; based on unpublished sources from the archives of the Archdiocesan Curia. From the classification of Curt Sachs and Erich Moritz von Horbonste, the study deals with a description of the instruments used and their function within the institutional corpus, as well as trying to reconstruct the timbral event highlighting the originality of the cathedral chapel

Idioma original	Español
Publicación	Neuma: Revista de Música y Docencia Musical
Estado	Publicada - 1 ene. 2017

Palabras clave

Capilla de música de la Catedral Matriz de Ecuador; Instrumentos; Músicos catedralicios

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abstract = "The article makes an approximation to the instrumental organic constitutive of the cathedral chapel of Cuenca, Ecuador in the 19th century; based on unpublished sources from the archives of the Archdiocesan Curia. From the classification of Curt Sachs and Erich Moritz von Horbonste, the study deals with a description of the instruments used and their function within the institutional corpus, as well as trying to reconstruct the timbral event highlighting the originality of the cathedral chapel",

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N2 - The article makes an approximation to the instrumental organic constitutive of the cathedral chapel of Cuenca, Ecuador in the 19th century; based on unpublished sources from the archives of the Archdiocesan Curia. From the classification of Curt Sachs and Erich Moritz von Horbonste, the study deals with a description of the instruments used and their function within the institutional corpus, as well as trying to reconstruct the timbral event highlighting the originality of the cathedral chapel

AB - The article makes an approximation to the instrumental organic constitutive of the cathedral chapel of Cuenca, Ecuador in the 19th century; based on unpublished sources from the archives of the Archdiocesan Curia. From the classification of Curt Sachs and Erich Moritz von Horbonste, the study deals with a description of the instruments used and their function within the institutional corpus, as well as trying to reconstruct the timbral event highlighting the originality of the cathedral chapel

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JO - Neuma: Revista de Música y Docencia Musical

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