Resumen
Introduction: After some essential methodological clarifications about research-creation as a typology of research in the arts, a process of theoretical construction is developed for a situated knowledge of the notion of aesthetic experience.
Methods: It proceeds in the context of accompaniment to a collective and synchronous process of research-creation in visual arts. Through observation and critical analysis, specific forms of manifestation of the visual aesthetic experience are identified, described and categorized.
Results: An elaborate concept of aesthetic experience is provided and three specific categories are identified and described, as manifested in a set of 40 research-creation exercises in visual arts.
Conclusions: Research-creation proceeds through the construction of an aesthetic experience, which, based on traditional and contemporary creative exercises, can be classified as contemplative, empathetic or immersive; according to specific characteristics that shelter a stylistic, technical and expressive diversity of great richness in the visual arts.
| Título traducido de la contribución | Forms of aesthetic experience in visual arts as theorization arounda referential process of research-creation |
|---|---|
| Idioma original | Español |
| Páginas (desde-hasta) | 1-14 |
| Número de páginas | 14 |
| Publicación | ISLAS. Revista de Estudios Humanísticos y Sociales |
| Volumen | 66 |
| N.º | 209 |
| Estado | Publicada - 11 sep. 2024 |
Palabras clave
- Artes visuales
- Estética
- Experiencia estética contemplativa
- Experiencia estética empática
- Experiencia estética inmersiva