TY - JOUR
T1 - El laboratorio coreográfico. Entrenamiento y creación, dos instancias que se funden en una sola acción
AU - Ortiz Mosquera, Fidel Ernesto
PY - 2018/1/1
Y1 - 2018/1/1
N2 - Building for the scene implies not only the articulation of the materials created, from the freedom and fertility that guided improvisation offers for the dancers, but the gear of all the parts that make up the scenic, in the search of a coherence to the work: the aesthetic machine. The physical training, the improvement of the dance technique must, moreover, correspond articulately with the spatial conditions in which the choreographic work is circumscribed and adapted intimately with the creative process and the aesthetic language that is generated. In that sense, the whole construction of the aesthetic form is what guarantees the success of a choreographic work.
AB - Building for the scene implies not only the articulation of the materials created, from the freedom and fertility that guided improvisation offers for the dancers, but the gear of all the parts that make up the scenic, in the search of a coherence to the work: the aesthetic machine. The physical training, the improvement of the dance technique must, moreover, correspond articulately with the spatial conditions in which the choreographic work is circumscribed and adapted intimately with the creative process and the aesthetic language that is generated. In that sense, the whole construction of the aesthetic form is what guarantees the success of a choreographic work.
KW - DANZA;COMPOSICIÓN COREOGRÁFICA;MPROVISACIÓN;ASYMMETRICAL MOTION
KW - DANZA;COMPOSICIÓN COREOGRÁFICA;MPROVISACIÓN;ASYMMETRICAL MOTION
UR - https://www.aanda.org/articles/aa/abs/2016/08/aa27650-15/aa27650-15.html
M3 - Artículo
SN - 2340-6062
JO - Estudios sobre Arte Actual
JF - Estudios sobre Arte Actual
ER -