Defensa a ultranza de la balada hispanoamericana

Misael Moya Mendez

Defensa a ultranza de la balada hispanoamericana

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Resumen

The article systematizes a group of elements that make it possible to defend the values contained in the Latin American ballad, as a form of mass art with diffusion between the sixties and eighties of the twentieth century, in a context defined by a frequent rejection of the academy to the study of these forms of artistic production that, paradoxically, typify cultural contexts and determine notions, behaviors and practices.

Idioma original	Español
Publicación	Islas
Estado	Publicada - 1 ene. 2001
Publicado de forma externa	Sí

Palabras clave

Balada; Música; Canción ligera; Historia de la balada; Balada en lengua española

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AB - The article systematizes a group of elements that make it possible to defend the values contained in the Latin American ballad, as a form of mass art with diffusion between the sixties and eighties of the twentieth century, in a context defined by a frequent rejection of the academy to the study of these forms of artistic production that, paradoxically, typify cultural contexts and determine notions, behaviors and practices.

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