LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACIÓN E IDENTIFICACIÓN SOBRE LA BASE DE UN ESTUDIO COMPARADO

Jimena Peñaherrera Wilches; Arleti María Molerio Rosa

LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACIÓN E IDENTIFICACIÓN SOBRE LA BASE DE UN ESTUDIO COMPARADO

Jimena Peñaherrera Wilches (First Author)
, Arleti María Molerio Rosa (Last Author)

Universidad de Cuenca

Research output: Contribution to journal › Article › peer-review

Abstract

This article presents a study on the identification and individualization of the copyists who work in the Musical Archive of the Main Cathedral of Cuenca, in the 19th century. The analysis is based on the manuscripts recovered and cataloged in 2016 and 2018 as part of a research project that addressed the topic of reconstructing the corresponding archives. The work starts with a brief historical contextualization, evidencing the organization of diverse documents of the Archdioceses of Cuenca, specifically the music catalog. The hypotheses raised have led to an individualization of the manuscripts through a comparison among them. Thus, it is possible to obtain different viewpoints of the object of study.

Original language	Spanish
Journal	Revista del Instituto de Investigaciones Musicológicas "Carlos Vega"
State	Published - 1 Jan 2019

Keywords

Archivo; Catedral; Copistas; Manuscrito; Identificación; Música; Cantón Cuenca

Access to Document

https://dspace.ucuenca.edu.ec/handle/123456789/34943

Cite this

@article{819ff477cce04abdbd358207444a0db9,

title = "LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACI{\'O}N E IDENTIFICACI{\'O}N SOBRE LA BASE DE UN ESTUDIO COMPARADO",

abstract = "This article presents a study on the identification and individualization of the copyists who work in the Musical Archive of the Main Cathedral of Cuenca, in the 19th century. The analysis is based on the manuscripts recovered and cataloged in 2016 and 2018 as part of a research project that addressed the topic of reconstructing the corresponding archives. The work starts with a brief historical contextualization, evidencing the organization of diverse documents of the Archdioceses of Cuenca, specifically the music catalog. The hypotheses raised have led to an individualization of the manuscripts through a comparison among them. Thus, it is possible to obtain different viewpoints of the object of study.",

keywords = "Archivo; Catedral; Copistas; Manuscrito; Identificaci{\'o}n; M{\'u}sica; Cant{\'o}n Cuenca, Archivo; Catedral; Copistas; Manuscrito; Identificaci{\'o}n; M{\'u}sica; Cant{\'o}n Cuenca",

author = "\{Pe{\~n}aherrera Wilches\}, Jimena and \{Molerio Rosa\}, \{Arleti Mar{\'i}a\}",

year = "2019",

month = jan,

day = "1",

language = "Espa{\~n}ol",

journal = "Revista del Instituto de Investigaciones Musicol{\'o}gicas {"}Carlos Vega{"}",

issn = "2683-7145",

}

LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACIÓN E IDENTIFICACIÓN SOBRE LA BASE DE UN ESTUDIO COMPARADO. / Peñaherrera Wilches, Jimena (First Author); Molerio Rosa, Arleti María (Last Author).
In: Revista del Instituto de Investigaciones Musicológicas "Carlos Vega", 01.01.2019.

Research output: Contribution to journal › Article › peer-review

TY - JOUR

T1 - LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACIÓN E IDENTIFICACIÓN SOBRE LA BASE DE UN ESTUDIO COMPARADO

AU - Peñaherrera Wilches, Jimena

AU - Molerio Rosa, Arleti María

PY - 2019/1/1

Y1 - 2019/1/1

N2 - This article presents a study on the identification and individualization of the copyists who work in the Musical Archive of the Main Cathedral of Cuenca, in the 19th century. The analysis is based on the manuscripts recovered and cataloged in 2016 and 2018 as part of a research project that addressed the topic of reconstructing the corresponding archives. The work starts with a brief historical contextualization, evidencing the organization of diverse documents of the Archdioceses of Cuenca, specifically the music catalog. The hypotheses raised have led to an individualization of the manuscripts through a comparison among them. Thus, it is possible to obtain different viewpoints of the object of study.

AB - This article presents a study on the identification and individualization of the copyists who work in the Musical Archive of the Main Cathedral of Cuenca, in the 19th century. The analysis is based on the manuscripts recovered and cataloged in 2016 and 2018 as part of a research project that addressed the topic of reconstructing the corresponding archives. The work starts with a brief historical contextualization, evidencing the organization of diverse documents of the Archdioceses of Cuenca, specifically the music catalog. The hypotheses raised have led to an individualization of the manuscripts through a comparison among them. Thus, it is possible to obtain different viewpoints of the object of study.

KW - Archivo; Catedral; Copistas; Manuscrito; Identificación; Música; Cantón Cuenca

UR - http://www.iimcv.org/docs/revistas/rev33-02_05.pdf

M3 - Artículo

SN - 2683-7145

JO - Revista del Instituto de Investigaciones Musicológicas "Carlos Vega"

JF - Revista del Instituto de Investigaciones Musicológicas "Carlos Vega"

ER -

LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACIÓN E IDENTIFICACIÓN SOBRE LA BASE DE UN ESTUDIO COMPARADO

Abstract

Keywords

Access to Document

Other files and links

Compared study between the musical works preserved in the Cathedral Archives of Peru-Lima, Cusco-, Ecuador -quito-Cuenca-, in relation to composers, repertoires and styles, in the period between the seventeenth centuries.

Cite this

LOS COPISTAS OBRANTES EN EL ARCHIVO CATEDRALICIO DE LA IGLESIA MATRIZ DE CUENCA (ECUADOR) EN EL SIGLO XIX: INDIVIDUALIZACIÓN E IDENTIFICACIÓN SOBRE LA BASE DE UN ESTUDIO COMPARADO

Abstract

Keywords

Access to Document

Other files and links

Projects

Compared study between the musical works preserved in the Cathedral Archives of Peru-Lima, Cusco-, Ecuador -quito-Cuenca-, in relation to composers, repertoires and styles, in the period between the seventeenth centuries.

Cite this