La obra musical de Olivier Massiaen y su inmanencia teológica

Jannet Emperatriz Alvarado Delgado

La obra musical de Olivier Massiaen y su inmanencia teológica

Jannet Emperatriz Alvarado Delgado

Universidad de Cuenca

UCuenca

Research output: Contribution to journal › Article › peer-review

Abstract

This work is an approach to musical composition Messiaen, one of the most celebrated composers of the twentieth century His original language, is based on modes of limited transposition, not retrogradable rhythms, symbolic elements in nature with the main objective to be consistent with one truth, his theological truth through music

Original language	Spanish
Journal	Neuma
State	Published - 1 Jan 2013

Keywords

Olivier Messiaen; compositores siglo XX; modos de transposición limitada; ritmos no retrogradables; verdad teológica a través de la música

Cite this

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abstract = "This work is an approach to musical composition Messiaen, one of the most celebrated composers of the twentieth century His original language, is based on modes of limited transposition, not retrogradable rhythms, symbolic elements in nature with the main objective to be consistent with one truth, his theological truth through music",

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AB - This work is an approach to musical composition Messiaen, one of the most celebrated composers of the twentieth century His original language, is based on modes of limited transposition, not retrogradable rhythms, symbolic elements in nature with the main objective to be consistent with one truth, his theological truth through music

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La obra musical de Olivier Massiaen y su inmanencia teológica

Abstract

Keywords

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Cite this