LA EVOLUCIÓN DEL ORGÁNICO INSTRUMENTAL CONSTITUTIVO DE LA CAPILLA CATEDRALICIA MATRIZ DE CUENCA EN EL SIGLO XIX

Arleti María Molerio Rosa

LA EVOLUCIÓN DEL ORGÁNICO INSTRUMENTAL CONSTITUTIVO DE LA CAPILLA CATEDRALICIA MATRIZ DE CUENCA EN EL SIGLO XIX

Arleti María Molerio Rosa

Universidad de Cuenca

UCuenca

Research output: Contribution to journal › Article › peer-review

Abstract

The article makes an approximation to the instrumental organic constitutive of the cathedral chapel of Cuenca, Ecuador in the 19th century; based on unpublished sources from the archives of the Archdiocesan Curia. From the classification of Curt Sachs and Erich Moritz von Horbonste, the study deals with a description of the instruments used and their function within the institutional corpus, as well as trying to reconstruct the timbral event highlighting the originality of the cathedral chapel

Original language	Spanish
Journal	Neuma: Revista de Música y Docencia Musical
State	Published - 1 Jan 2017

Keywords

Capilla de música de la Catedral Matriz de Ecuador; Instrumentos; Músicos catedralicios

Cite this

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title = "LA EVOLUCI{\'O}N DEL ORG{\'A}NICO INSTRUMENTAL CONSTITUTIVO DE LA CAPILLA CATEDRALICIA MATRIZ DE CUENCA EN EL SIGLO XIX",

abstract = "The article makes an approximation to the instrumental organic constitutive of the cathedral chapel of Cuenca, Ecuador in the 19th century; based on unpublished sources from the archives of the Archdiocesan Curia. From the classification of Curt Sachs and Erich Moritz von Horbonste, the study deals with a description of the instruments used and their function within the institutional corpus, as well as trying to reconstruct the timbral event highlighting the originality of the cathedral chapel",

keywords = "Capilla de m{\'u}sica de la Catedral Matriz de Ecuador; Instrumentos; M{\'u}sicos catedralicios, Capilla de m{\'u}sica de la Catedral Matriz de Ecuador; Instrumentos; M{\'u}sicos catedralicios",

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PY - 2017/1/1

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N2 - The article makes an approximation to the instrumental organic constitutive of the cathedral chapel of Cuenca, Ecuador in the 19th century; based on unpublished sources from the archives of the Archdiocesan Curia. From the classification of Curt Sachs and Erich Moritz von Horbonste, the study deals with a description of the instruments used and their function within the institutional corpus, as well as trying to reconstruct the timbral event highlighting the originality of the cathedral chapel

AB - The article makes an approximation to the instrumental organic constitutive of the cathedral chapel of Cuenca, Ecuador in the 19th century; based on unpublished sources from the archives of the Archdiocesan Curia. From the classification of Curt Sachs and Erich Moritz von Horbonste, the study deals with a description of the instruments used and their function within the institutional corpus, as well as trying to reconstruct the timbral event highlighting the originality of the cathedral chapel

KW - Capilla de música de la Catedral Matriz de Ecuador; Instrumentos; Músicos catedralicios

UR - https://neuma.utalca.cl/index.php/neuma/article/view/56/54

M3 - Artículo

SN - 0718-7017

JO - Neuma: Revista de Música y Docencia Musical

JF - Neuma: Revista de Música y Docencia Musical

ER -

LA EVOLUCIÓN DEL ORGÁNICO INSTRUMENTAL CONSTITUTIVO DE LA CAPILLA CATEDRALICIA MATRIZ DE CUENCA EN EL SIGLO XIX

Abstract

Keywords

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Cite this