Abstract
The article systematizes a group of elements that make it possible to defend the values contained in the Latin American ballad, as a form of mass art with diffusion between the sixties and eighties of the twentieth century, in a context defined by a frequent rejection of the academy to the study of these forms of artistic production that, paradoxically, typify cultural contexts and determine notions, behaviors and practices.
| Original language | Spanish |
|---|---|
| Journal | Islas |
| State | Published - 1 Jan 2001 |
| Externally published | Yes |
Keywords
- Balada; Música; Canción ligera; Historia de la balada; Balada en lengua española
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