Sound reconstruction of the religious archive of the Oblata Cuenca Congregation, through the instrumentation, assembly and staging of three masses of Cuenca composers found in said file.

The artistic project points to the sound recreation of the religious music of the city of Cuenca executed at the end of the 19th century and the first half of the 20th century. Considering the rescued manuscripts as heritage objects used for the musical practice of that time. The project involves academics and students of the Faculty of Arts as main entities and knowledgeable of the subject. Its greatest importance is that such artistic production will become the first sound record of the religious music of this repository staging, analyzed with a critical and musicological approach.

OUT OF CALL – INTERNAL FUNDS